00198--Dissociation of Sensibility [T.S.Eliot]



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The phrase was used by T. S. Eliot in his essay The Metaphysical Poets. The relevant and self- explanatory passage is:

Tennyson and Browning are poets, and they think; but they do not feel their thought as immediately as the odour of a rose. A thought to Donne was an experience; it modified his sensibility. When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experience; the ordinary man's experience is chaotic, irregular, fragmentary. The latter falls in love, or reads Spinoza" and these two experiences have nothing to do with each other, or with the noise of the typewriter or the smell of cooking; in the mind of the poet these experiences are always forming new wholes.

'We may express the difference by the following theory: The poets of the seventeenth century the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which would devour any kind of experience. They are simple, artificial, difficult, or fantastic, as their predecessors were; no less nor more than Dante, Guido Cavalcanti, Guinicelli, or Cino. In the seventeenth century a dissociation of sensibility set in, from which we have never recovered; and this dissociation, as is natural, was aggravated by the influence of the two more powerful poets of the century Milton and Dryden. Each of these men performed certain poetic functions so magnificently well that the magnitude of the effect concealed the absence of others. The language went on and in some respects improved; the best verse of Collins, Gray, Johnson, and even Goldsmith satisfies some of our fastidious demands better than that of Donne or Marvell or King. But while the language became more refined, the feeling became more crude. The feeling, the sensibility expressed in the Country Churchyard (to say nothing of Tennyson and Browning) is cruder than that in the Coy Mistress. Eliot contended that modern poets like Corbibre and Laforgue had 'dissociation avoided the of sensibility'. Certainly they had a considerable influence on Eliot, and the combined effect of the influence of Hopkins, Yeats, Pound and Eliot has been potent.



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